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THE CHILDREN OF LIR: AN IRISH LEGEND

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the children of lir THE CHILDREN OF LIR: AN IRISH LEGEND There was a time in ancient Ireland when the people believed in magic and in druids and spells. These were the days of the Tuatha De Danann tribe, the Goddess Danu and of Lir, the lord of the sea. Lir's wife, Eva, had given him four beautiful children. The two eldest, Fionnuala and Aodh, went swimming in a small lake. But these were no ordinary swimmers! They possessed gills for breathing and webbed feet as they were, after all, the offspring of 'the ruler of the land beneath the waves'. They met a messenger who told them that they were wanted by their father. They went home immediately only to find their father disturbed. 'What is wrong father?' they enquired 'Your mother has given birth to twins' he replied '....and has gone off to rest' 'What do you mean father?' they asked Lir explained that this was what humans called 'death' but that since they we
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vessels

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ian carty ceramics fine art and horsehair ceramics ireland  Ian’s technique is based on a type of Pottery mass-produced around the first century AD these pots were coated with a very fine slip which potters had been using for hundreds of years to create there famous white and black pottery.                                                                           He has made his own Irish version by infusing real Horsehair, and peat from Irish bogs into the kiln as the vessels are fired, this releases carbon, in the form of black smoke which is infused into the pottery creating a dark black finish, and leaving the carbon infused into the ceramic, each piece is polished with bees wax to protect the finish. This process is very time consuming, and often takes Ian several hours to complete just one piece.    Ian was born in Sligo in the scenic North West of Ireland and his ceramics are highly creative and extreme
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New Large Amphora vessels

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ian carty ceramics ireland An amphora is a type of container of a characteristic shape and size, descending from at least as early as the Neolithic period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine.   For the most part, however, an amphora was tableware, or sat close to the table, and was intended to be seen, and was finely decorated as such by master craftsmen   Most were produced with a pointed base to allow upright storage by embedding in soft ground, such as sand. The base facilitated transport by ship,   Amphorae are of great use to maritime archeologists, as they often indicate the age of a shipwreck and the geographic origin of the cargo. They are occasionally so well preserved that the original content is still present, providing information on foodstuffs and mercantile systems.
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