close up detail shots dragons

Dragon glaze 
This technique is very expressive exciting and fun and often takes multiple firings to complete just one piece.  ians quest to create a dragon skin texture for a sculpture led  to testing on some vases, the battle begins after we place the pieces into a hot Raku kiln; the anticipation builds as i wait for that final moment as the intense heat begins to fuse the dragon glazes.
 Many surprises wait as I clean the surface and reveal the wonders of enchantment and landscapes infused with dragons
Each piece is a one of a kind work of Fine Art never to be duplicated again, 
ian carty ceramics 

ian carty ceramics Ian Carty
In 2011 Ian set up his own studio in Sligo and is now one of Ireland’s newest up and coming ceramic artists, making a name in Ireland for his extremely creative and artistic work that reflects an understanding of nature and its beauty while drawing inspiration from the landscapes of the rugged Atlantic coast line of his home town Sligo   

Dragon glazes are fired in a rush of excitement, smoke, and frantic activity. This process is very time consuming and often takes Ian multiple firings to complete just one piece.  For most ceramicists this technique is actually an imperfection, or problem that they are always trying to prevent. Ian wanted to take this problem and not seek perfection in each piece but rather expression found through the pursuit of the perfect imperfection, while capturing the rugged yet enchanting Landscape of North Sligo.


Comments

Post a Comment

Popular posts from this blog

vessels

Image
ian carty ceramics fine art and horsehair ceramics ireland  Ian’s technique is based on a type of Pottery mass-produced around the first century AD these pots were coated with a very fine slip which potters had been using for hundreds of years to create there famous white and black pottery.                                                                           He has made his own Irish version by infusing real Horsehair, and peat from Irish bogs into the kiln as the vessels are fired, this releases carbon, in the form of black smoke which is infused into the pottery creating a dark black finish, and leaving the carbon infused into the ceramic, each piece is polished with bees wax to protect the finish. This process is very time consuming, and often takes Ian several hours to complete just one piece.    Ian was born in Sligo in the scenic North West of Ireland and his ceramics are highly creative and extreme
Read more

New Large Amphora vessels

Image
ian carty ceramics ireland An amphora is a type of container of a characteristic shape and size, descending from at least as early as the Neolithic period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine.   For the most part, however, an amphora was tableware, or sat close to the table, and was intended to be seen, and was finely decorated as such by master craftsmen   Most were produced with a pointed base to allow upright storage by embedding in soft ground, such as sand. The base facilitated transport by ship,   Amphorae are of great use to maritime archeologists, as they often indicate the age of a shipwreck and the geographic origin of the cargo. They are occasionally so well preserved that the original content is still present, providing information on foodstuffs and mercantile systems.
Read more